Portfolio

 

Techniques

 

Oil Painting

Oil Painting, is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium.

Monoprint

Monoprint is a form of printmaking that has lines or images that can only be made once, unlike most printmaking, with allows for multiple originals.  A monoprint is a single impression of an image made from a reprintable block. Materials such as metal plates, litho stones or wood blocks are used for etching upon. Rather than printing multiple copies of a single image, only one impression may be produced, either by painting or making a collage on the block.

Collagraph

Collagraph is an original hand made print pulled from a plate that was constructed by gluing textured materials to a hard board surface.  The materials create various lines, textures and tones when hand inked and hand wiped. The plate is inked by forcing the ink into the textured recesses in the plate and hand wiping the raised areas.  The print is made by passing the inked plate and rag paper through an etching press.  Pressure from the press forces the rag paper into the recessed areas of the plate and when the paper is removed the ink is transferred to the paper. Each Collagraph is an original print because it is totally hand made by the artist.

About Anthea Holmes

London Artist

A Little Intro About Me

Born in Putney, London as an artist I like to experiment with different materials and textures using gesso, collaged paper and  scrim to build up the surface of the painting and then using thin layers of paint, wiped away the. surface to let the light marks through. These textures and marks serve to disperse the forms and integrate them in to the surrounding space.

My Exhibitions

2005 Battersea Contemporary Arts Fair, London

2001 Putney Library, London

1995 – 2000 Prints Shown at The Oxford Gallery, Oxford

1999 Putney School of Art, London

1998 Printmaker’s Council, Woodlands Art Gallery, London

1997 & 1998 Summer Exhibition, Heffer Gallery

1997 Salon des Graphiques, Curwen Gallery, London

1996 Printmaker’s Council – Heffer Gallery, Cambridge

Monoprint Show, Pump House Gallery, Battersea Park

“The Making of Prints” Elizabethan Exhibition Gallery, Wakefield

1995 & 1996 Battersea Art Fair, London

1995, 1997 National Open Print Exhibition, Whiteleys Gallery, London

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